30.6.2022, Thursday 11:00 – 19:00 Uhr
Es lebe die Dividuation! Symposium zum HFBK-Abschied von Prof. Dr. Michaela Ott

Venue:
Aula, HFBK Hamburg

Invitation flyer motif in black and white, reminiscent of watercolor crayon

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Symposium zum HFBK-Abschied von Michaela Ott, Professorin für Ästhetische Theorien

Seit 17 Jahren ist Michaela Ott Professorin für Ästhetische Theorien an der HFBK Hamburg. Zu ihren Schwerpunkten in Forschung und Lehre gehören die poststrukturalistische Philosophie, Fragen von Ästhetik und Politik, der Ästhetik insbesondere des afrikanischen und arabischen Films in postkolonialer Perspektive, Theorien der Affekte und Affizierungen sowie Theorien der (In)Dividuation. Dass wir als Subjekte keine Ungeteilten, keine Individuen, sondern freiwillig-unfreiwillig, physisch und sozial an Anderen und Anderem Teilhabende sind, gehört zu ihren philosophischen Überzeugungen. Es lebe die Dividuation! Unter diesem Motto wird Michaela Ott am 30. Juni mit einem Symposion von der HFBK verabschiedet.

Programm:

11 Uhr: Begrüßung durch Prof. Martin Köttering, Präsident der HFBK Hamburg
11:15 Uhr: Abschied und kein Ende. Zur Kunst der Unterbrechung. Für Michaela Ott, Marianne Schuller, Professorin im Ruhestand für Neuere deutsche Literatur an der Universität Hamburg
12:15 Uhr: Denken als Montage, Andrea Sabisch, Professorin für bildende Kunst und ästhetische Bildung an der Universität Hamburg
13:15 Uhr: Mittagspause
14:15 Uhr: Rhizomatisch fundiert, dividuell unterwegs und vielfältig affiziert – persönliche Erinnerungen, Anna-Lena-Wenzel, Autorin und Künstlerin, Berlin
15 Uhr: Les mots sont allés…Deterritorialisierung der Sprache als cellistischer Prozess, Benjamin Sprick, Cellist und Philosoph, Hochschule für Musik und Theater Hamburg
16 Uhr: Pause
16:30 Uhr: Affizierende Objekte, Ikonoklasmen und die Gründung von Museen in West- und Zentralafrika in der zweiten Hälfte des 20. Jahrhunderts, Tobias Wendl, Professor für Kunst und visuelle Kulturen Afrikas an der Freien Universität Berlin
17:30 Uhr: XOXO, Filmscreening (Regie: Lisa Sperling und Houédo Dieu-Donné Parfait Dossa, 2018)
18:30 Uhr: “Gegenmodus zu allen Kausalkonstruktionen”, Robert Bramkamp, Professor für Experimentalfilm an der HFBK Hamburg
19:00 Uhr: Get-together, Drinks &Dance

Die Veranstaltung wurde aufgezeichnet und steht in der Mediathek der HFBK Hamburg zur Verfügung.

Übers Schreiben reden am 15. April 2025 mit Saša Stanišić, Akın Emanuel Şipal, moderiert von Viktorie Knotková; photo: Jana Rothe

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Cemile Sahin, ROAD RUNNER, 2025, installation view at Esther Schipper, Berlin; photo: © Andrea Rossetti, Courtesy of Cemile Sahin and Esther Schipper, Berlin/Paris/Seoul

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View into the auditorium of HFBK Hamburg; photo: Lukes Engelhardt

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Opening of the Graduate Show 2025; photo: Sinje Hasheider

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Pablo Torres Gómez, Earths's Ears, 2025; photo: Pablo Torres Gómez

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Maria Ignatenko, false movements, 2024, work in progress; Filmstill

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Estefania Morales, I Drive, God Guides ( yo manejo, Dios me guía), Detail; photo: Tim Albrecht

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The cinema in the new film house, Finkenau 42; photo: Tim Albrecht

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Open Call: Redesign Democracy - Reimagine Voting; graphic design: Konrad Renner

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Park Ficiton, Palmen Feliz Nedra, 2003; photo: Margit Czenki/Park Fiction

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Blick in die von Nadine Droste kuratierte Ausstellung von Master-Studierenden im ICAT der HFBK Hamburg zur Jahresausstellung 2024 (im Vordergrund die Arbeit von Paula Hoffmann und Laura Mahnke); photo: Lukes Engelhardt

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Many people stand in front of a wall with portrait photographs

Work by Atu Gelovani at the opening of the Annual Exhibition 2025 at HFBK Hamburg; photo: Lukes Engelhardt

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A sculpture of a small elephant that functions as a climbing frame in a park in Hamburg

Der Elefant im (öffentlichen) Raum Hamburg

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Exhibition view on the occasion of Hiscox Art Prize 2024; photo: Tim Albrecht

Hiscox Art Prize 2024

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The cinema in the new film house, Finkenau 42; photo: Tim Albrecht

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"The New Woman - How Female Artists and Designers shaped the Image of Modernism", graphic by Liudmila Savelyeva, Karla Krey, Amira Mostafa (Klasse Digitale Grafik)

The New Woman

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Detail: Installation by Mark Morris; photo: Tim Albrecht

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Julia Scher, Territorium, 2024, installationview at ICAT of HFBK Hamburg; photo: Tim Albrecht

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Sharon Poliakine, Untitled, 2023, oil on canvas, detail

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Work by Franziska Koepsel at Annual Exhibition 2024; photo: Lukes Engelhardt

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photo: Tim Albrecht

(Ex)Changes of / in Art

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And Still I Rise

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photo: Miriam Schmidt / HFBK

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A disguised man with sunglasses holds a star-shaped sign for the camera. It says "Suckle". The picture is taken in black and white.

photo: Honey-Suckle Company

Let`s work together

Collectives are booming in the art world. And they have been for several decades. For the start of the summer semester 2023, the new issue of the Lerchenfeld Magazine is dedicated to the topic of collective practice in art, presents selected collectives, and also explores the dangers and problems of collective working.

Jahresausstellung 2023, Arbeit von Toni Mosebach / Nora Strömer; photo: Lukes Engelhardt

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Non-Knowledge, Laughter and the Moving Image, Grafik: Leon Lothschütz

Festival and Symposium: Non-Knowledge, Laughter and the Moving Image

As the final part of the artistic research project, the festival and symposium invite you to screenings, performances, talks, and discussions that explore the potential of the moving images and the (human and non-human) body to overturn our habitual course and change the dominant order of things.

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Amna Elhassan, Tea Lady, oil on canvas, 100 x 100 cm

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Merlin Reichert, Die Alltäglichkeit des Untergangs, Installation in der Galerie der HFBK; photo: Tim Albrecht

Graduate Show 2022: We’ve Only Just Begun

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Grafik: Nele Willert, Dennise Salinas

June is full of art and theory

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Renée Green. ED/HF, 2017. Film still. Courtesy of the artist, Free Agent Media, Bortolami Gallery, New York, and Galerie Nagel Draxler, Berlin/Cologne/Munich.

Finkenwerder Art Prize 2022

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Amanda F. Koch-Nielsen, Motherslugger; photo: Lukas Engelhardt

Nachhaltigkeit im Kontext von Kunst und Kunsthochschule

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New studio in the row of houses at Lerchenfeld, in the background the building of Fritz Schumacher; photo: Tim Albrecht

Raum für die Kunst

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Martha Szymkowiak / Emilia Bongilaj, Installation “Mmh”; photo: Tim Albrecht

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Annette Wehrmann, photography from the series Blumensprengungen, 1991-95; photo: Ort des Gegen e.V., VG-Bild Kunst Bonn

Conference: Counter-Monuments and Para-Monuments.

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23 Fragen des Institutional Questionaire, grafisch umgesetzt von Ran Altamirano auf den Türgläsern der HFBK Hamburg zur Jahresausstellung 2021; photo: Charlotte Spiegelfeld

Diversity

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ASA Open Studio 2019, Karolinenstraße 2a, Haus 5; photo: Matthew Muir

Live und in Farbe: die ASA Open Studios im Juni 2021

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Studiengruppe Prof. Dr. Anja Steidinger, Was animiert uns?, 2021, Mediathek der HFBK Hamburg, Filmstill

Unlearning: Wartenau Assemblies

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Ausstellungsansicht "Schule der Folgenlosigkeit. Übungen für ein anderes Leben" im Museum für Kunst und Gewerbe Hamburg; photo: Maximilian Schwarzmann

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Annual Exhibition 2021 at the HFBK

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Katja Pilipenko

Semestereröffnung und Hiscox-Preisverleihung 2020

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Exhibition Transparencies with works by Elena Crijnen, Annika Faescke, Svenja Frank, Francis Kussatz, Anne Meerpohl, Elisa Nessler, Julia Nordholz, Florentine Pahl, Cristina Rüesch, Janka Schubert, Wiebke Schwarzhans, Rosa Thiemer, Lea van Hall. Organized by Prof. Verena Issel and Fabian Hesse; photo: Screenshot

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Alltagsrealität oder Klischee?; photo: Tim Albrecht

HFBK Graduate Survey

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Ausstellung Social Design, Museum für Kunst und Gewerbe Hamburg, Teilansicht; photo: MKG Hamburg

How political is Social Design?

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