The Lerchenfeld on artistic research
The Lerchenfeld No. 49 offers a diverse collection of essays and interviews that engage with various aspects of art theory and practice.
The first essay by Kathrin Busch, "Aesthetic Amalgamation," examines the role of artistic research and its proximity to theory. Busch argues that this research does not follow traditional scientific methodology but represents an independent aesthetic form of knowledge that merges art and theory.
Other significant contributions include Anke Haarmann's "An Epistemic Fold," which discusses the politicization of art since the 1970s and its impact on artistic research, as well as Hanne Loreck's "KF – A Manifesto," which calls for a clear theoretical positioning for artistic research.
Interviews with contemporary artists such as Simon Denny, Valentina Karga, and Jutta Koether provide insights into their personal artistic positions and working methods. Michaela Ott's essay "Not Behind It!" and Elke Bippus' "Narratology of Things" broaden the spectrum of discussions on interdisciplinary and narrative approaches in art.
Here you can find the whole issue.