27.4.2024, Saturday 11:00 – 20:00 Uhr
Politics of Intimacy and the Intimacy of Politics

Venue:
Extended Library, 2. Stock, HFBK Hamburg, Lerchenfeld 2, 22081 Hamburg

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The exhibition Archives of the Body: Imagining a Different Corpus will be accompanied by a screening program, where the artistic research group 'Politics of Intimacy and the Intimacy of Politics' (ARPI), guided by HFBK professor for film Adina Pintilie, will present a selection of footage from their ongoing work process, followed by conversations with the artists.

ARPI Artists: Bo Friedrich (Germany), Catalina González González (Colombia), Liao Kai Ro (Taiwan), Merle Morzé (Austria), Morgana de Mello (Brazil), Kristina Savutsina (Belarus)

Intimacy and corporeality are essential aspects of our lives, subjectivities, and communities. And yet, they are topics we often find difficult to address, hindered by taboos, judgments, and other inner and outer blockages. Today, once again, the body has become a ‘battlefield’ for ideologies, a pretext for various forms of cultural and political anxieties. The growing power of far-right movements all over the world and of other forms of social aggression calls into question the very autonomy of the body. These movements attack our origins, skin colors, beliefs, gender, and sexual identities. Accelerated by the pandemic and current wars, with their tragedies and increasing social divisions, this conservative tide is further and further trespassing the boundaries of our bodily integrity, making it more important than ever to reposition the body as a vehicle for personal freedom and self-empowerment, emancipation, and the celebration of difference in solidarity.

On the fluid boundary between lived experience and cinematic imagination, between the personal and the political, the present-day conundrums and trans-generational legacies, the group’s work aims to support the upcoming filmmakers in articulating a (filmic) language for their experiences and themes, in developing their artistic voice, personal methodologies and forms of collaboration. A maieutic, process-oriented approach, where cinema becomes a tool for research, for ‘un-learning’ and ‘re-learning', for self-discovery and meaning-making, for transformation and growth.

In-depth info on ARPI's work process and methodologies, as well as detailed screening schedules can be found in their eponymous digital guidebook.

Adina Pintilie is a filmmaker, artist and curator, and currently Professor for Film at the HFBK Hamburg, with a focus on the Cinema of the Real. On the fluid border between reality, fiction, and visual art, Pintilie's works emerge from decade-spanning, innovative artistic research processes, centered around intimacy, contemporary body politics, and participative practices of in-depth community impact. Her feature film Touch Me Not won the Golden Bear at the 2018 Berlinale and was nominated for the European Film Academy Awards. Pintilie’s visual art project You Are Another Me––A Cathedral of the Body was selected for the 2022 Venice Art Biennial and invited for its first institutional presentation in Germany at the Stuttgart Kunstverein between Oct 2023 and Jan 2024. Her film Don’t Get Me Wrong premiered in Locarno 2007 competition and won the Golden Dove for Best Non-fiction Film at Dok Leipzig 2007. She is a member of the European Film Academy.

More about Adina Pintilie:

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"The New Woman - How Female Artists and Designers shaped the Image of Modernism", graphic by Liudmila Savelyeva, Karla Krey, Amira Mostafa (Klasse Digitale Grafik)

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Detail: Installation by Mark Morris; photo: Tim Albrecht

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photo: Tim Albrecht

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photo: Miriam Schmidt / HFBK

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