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31.5.2019, 12:00 – 19:00 Uhr
Point of No Return: Born in the Echoes

  • Venue:

  • HFBK Hamburg, Aula

2nd part of the symposium series on the social significance of graphic design

After the start of the symposium series "Point of No Return" in January, the follow-up symposium will take place at the HFBK Hamburg on May 31, 2019. Under the title "Born in the Echoes", Ingo Offermanns (Professor of Graphic Art at the HFBK Hamburg) invited international speakers to look at graphic design in dialogue with and from the perspective of philosophy, ethnology, sociology, design theory, and cultural studies. This broadens the graphic design discourse beyond the narrow boundaries of the graphic discipline.

The interdependence of visual communication and society makes graphic design a constituent element of the public sphere – a quantity that erodes to the extent that society decays into singularities. This requires a stronger, (culturally) critical and interdisciplinary commitment and reflection.

The second part of the symposium series is therefore devoted to the question of how dialogical and solidary participation in public communication can function, which is designed by graphic designers* but which is more than the lowest common denominator of strategic goals, particular interests and subjective sensitivities. The focus is on the common struggle for criteria for a critical discourse and the application of this critique to graphic artifacts itself.

With contributions by:

  • Christian Bauer – Assistent professor of Design History and Theory, Hochschule der Bildenden Künste Saar, Saarbrücken
  • Clémentine Deliss – Interim Professor for Curatorial Theory & Dramaturgical Practice, University of Arts & Design, Karlsruhe
  • Daniel Martin Feige – Professor of Philosophy and Aesthetics, Akademie der bildenden Künste Stuttgart
  • Eva Linhart – Curator of Book Art and Graphics, Museum Angewandte Kunst, Frankfurt
  • Sophia Prinz – Assistent professor of Theory of Design, Universität der Künste Berlin
  • Markus Rautzenberg – Professor of Philosophy, Folkwang Universität der Künste, Essen
  • Alice Rawthorn – Design critic and author, London
  • Pierre Smolarski – Research Assistent of Design Rhetoric’s and Everyday Aesthetics, Bergische Universität Wuppertal
  • Friedrich von Borries – Professor of Design Theory, HFBK Hamburg

Moderation: Tulga Beyerle – Director, Museum für Kunst und Gewerbe Hamburg

This is a symposium series conceived by Ingo Offermanns, professor at the HFBK Hamburg, with the support of Markus Dreßen, Professor at the HGB Leipzig, and Markus Weisbeck, professor at the Bauhaus-Universität Weimar.

Lectures in German and English

The symposium is part of the German AGI meeting, and it is accessible for everyone and free of charge.

Studiengruppe Prof. Dr. Anja Steidinger, Was animiert uns?, 2021, Mediathek der HFBK Hamburg, Filmstill

Unlearning: Wartenau Assemblies

The art education professors Nora Sternfeld and Anja Steidinger initiated the format "Wartenau Assemblies". It oscillates between art, education, research and activism. Complementing this open space for action, there is now a dedicated website that accompanies the discourses, conversations and events.

Ausstellungsansicht "Schule der Folgenlosigkeit. Übungen für ein anderes Leben" im Museum für Kunst und Gewerbe Hamburg; photo: Maximilian Schwarzmann

School of No Consequences

Everyone is talking about consequences: The consequences of climate change, the Corona pandemic or digitalization. Friedrich von Borries (professor of design theory), on the other hand, is dedicated to consequence-free design. In “School of No Consequences. Exercises for a New Life” at the Museum für Kunst und Gewerbe Hamburg, he links collection objects with a "self-learning room" set up especially for the exhibition in such a way that a new perspective on "sustainability" emerges and supposedly universally valid ideas of a "proper life" are questioned.

Annual Exhibition 2021 at the HFBK

Annual exhibition a bit different: From February 12- 14, 2021 students at the Hamburg University of Fine Arts, together with their professors, had developed a variety of presentations on different communication channels. The formats ranged from streamed live performances to video programs, radio broadcasts, a telephone hotline, online conferences, and a web store for editions. In addition, isolated interventions could be discovered in the outdoor space of the HFBK and in the city.

Public Information Day 2021

How do I become an art student? How does the application process work? Can I also study to become a teacher at the HFBK? These and other questions about studying art were answered by professors, students and staff at the HFBK during the Public Information Day on February 13, 2021. In addition, there will be an appointment specifically for English-speaking prospective students on February 23 at 2 pm.

Katja Pilipenko

Semestereröffnung und Hiscox-Preisverleihung 2020

On the evening of November 4, the HFBK celebrated the opening of the academic year 2020/21 as well as the awarding of the Hiscox Art Prize in a livestream - offline with enough distance and yet together online.

photo: Tim Albrecht

Art defies Corona: Graduate Show 2020

With a two-month delay, the Graduate Show took place this year on the 19 and 20 September. More than 140 students showed their artistic graduation projects, from painting to sound installation.

Exhibition Transparencies with works by Elena Crijnen, Annika Faescke, Svenja Frank, Francis Kussatz, Anne Meerpohl, Elisa Nessler, Julia Nordholz, Florentine Pahl, Cristina Rüesch, Janka Schubert, Wiebke Schwarzhans, Rosa Thiemer, Lea van Hall. Organized by Prof. Verena Issel and Fabian Hesse; photo: Screenshot

Teaching Art Online at the HFBK

How the university brings together its artistic interdisciplinary study structure with digital formats and their possibilities.

Alltagsrealität oder Klischee?; photo: Tim Albrecht

HFBK Graduate Survey

Studying art - and what comes next? The clichéd images stand their ground: Those who have studied art either become taxi drivers, work in a bar or marry rich. But only very few people could really live from art – especially in times of global crises. The HFBK Hamburg wanted to know more about this and commissioned the Faculty of Economics and Social Sciences at the University of Hamburg to conduct a broad-based survey of its graduates from the last 15 years.

Ausstellung Social Design, Museum für Kunst und Gewerbe Hamburg, Teilansicht; photo: MKG Hamburg

How political is Social Design?

Social Design, as its own claim is often formulated, wants to address social grievances and ideally change them. Therefore, it sees itself as critical of society – and at the same time optimizes the existing. So what is the political dimension of Social Design – is it a motor for change or does it contribute to stabilizing and normalizing existing injustices?