Graduate Show 2022

HFBK Graduate Show 2020; photo: Marie-Theres Böhmker

Lea Le Floc'h, Je voudrais que tu te souviennes (I would like you to remember), 2021, Öl und Acryl auf Leinwand 200 x 790 cm

Detailansicht, o… o… o… of a lucid terrain, von Sohorab Rabbey; photo: Tim Albrecht

Simin Jalilian, Feierabend!, 2021, Öl Auf Leinwand, 120 x 160 cm

Clara Alisch, Lactoland, 2021, Videoinstallation (10:02 min); photo: Videostill

Clara Alisch, Lactoland, 2021, Installation, Videoarbeit 10:02 min; photo: Tim Albrecht

Hélène Padoux, AMOR, 2021, acrylic and ink on denim and canvas, 80 x 80 cm, 80 x 60 cm

Detailansicht Rauminstallation von Siri Wirtensohn, Bildhauerei-Klasse von Prof. Andreas Slominski; photo: Tim Albrecht

Master-Abschlussarbeit von Camillo Ritter (Detailansicht), Bildhauerei-Klasse von Prof. Andreas Slominski; photo: Tim Albrecht

Rauminstallation von Luzia Cruz (Ausschnitt), Bildhauerei-Klasse von Prof. Thomas Demand; photo: Tim Albrecht

Lena Schramm, Ectasy 1-12, 2021, 12 Tafeln, Gesamtformat 255 x 280 cm, Öl auf Leinwand; photo: Tim Albrecht

Karim Reyle, Ausstellungsansicht; photo: Tim Alrecht

Marthe Fock, Are we pregnafix? All gender test device, 2021, interaktive Installation; photo: Tim Albrecht

Sandra Makhlouf, Živá Voda / The Living Water

Chloe-Rose Purcell, Being Wise or Folish Road, 2021, carpet tafted; photo: Tim Albrecht

Corrie Barclay, Keep in Touch, 2021, installation (detail); photo: Tim Albrecht

Matthew Muir, Crossroads in the desert of the Real, 2021, Installation von Objekten (Ausstellungsansicht); photo: Tim Albrecht

Verena Buttmann, Nachwuchsstipendiengewinnerin; photo: Tim Albrecht

Rauminstallation, Stendar-Feuerbaum Stipendium-Gewinner Magnus Hvidtfeldt ; photo: Tim Albrecht

Karl H. Ditze Preis (Bachelor)-Gewinnerin Ilo Toivio ; photo: Tim Albrecht

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About the Graduate Show

Every year - usually in July - the current graduates of the HFBK Hamburg present their final theses in a public exhibition. An external jury of experts selects the best work, which is awarded the coveted Karl H. Ditze Prize for the best thesis. In addition, the Stendar-Feuerbaum Foundation Scholarship and the HFBK Film Prize of the Hamburg Cultural Foundation will be awarded at the Graduate Show 2022.

As part of Final Cut, all final films made with funding from MOIN Filmförderung Hamburg Schleswig-Holstein will be presented in the auditorium of the HFBK.

Graduate Show 2022

Opening: 7 July 2022, 7 p.m.

Exhibition runs from the 8th to the 10th of July, 2-8 p.m.

Exhibition by Amna Elhassan

HFBK Gallery in the Atelierhaus

Opening: Thu, July 7, 2022, 7 p.m.
Exhibition period: July 8-17, 2022 (daily except Mondays, 2-6 p.m.)

Amna Elhassan (* 1988, Khartoum, Sudan) is currently a guest lecturer within the Art School Alliance at the HFBK Hamburg. Her artistic work explores perceptions of the female body in the public and private spheres, drawing on a variety of media including printmaking and painting. Her recent exhibitions included: Egypt Int'l Art Fair in Cairo; Afriart Gallery in Kampala, Uganda; Journées d'Art Contemporain de Carthage JACC, Tunis or National Museum of Sudan, Khartoum among others.

Graduate Show 2022: We’ve Only Just Begun

From July 8 to 10, 2022, more than 160 Bachelor’s and Master’s graduates of the class of 2021/22 will present their final projects from all majors. Under the title Final Cut, all graduation films will be shown on a big screen in the auditorium of the HFBK Hamburg. At the same time, the exhibition of the Sudanese guest lecturer Amna Elhassan can be seen in the HFBK gallery in the Atelierhaus.

Grafik: Nele Willert, Dennise Salinas

June is full of art and theory

It has been a long time since there has been so much on offer: a three-day congress on the visuality of the Internet brings together international web designers; the research collective freethought discusses the role of infrastructures; and the symposium marking the farewell of professor Michaela Ott takes up central questions of her research work.

Renée Green. ED/HF, 2017. Film still. Courtesy of the artist, Free Agent Media, Bortolami Gallery, New York, and Galerie Nagel Draxler, Berlin/Cologne/Munich.

Finkenwerder Art Prize 2022

The Finkenwerder Art Prize, initiated in 1999 by the Kulturkreis Finkenwerder e.V., has undergone a realignment: As a new partner, the HFBK Hamburg is expanding the prize to include the aspect of promoting young artists and, starting in 2022, will host the exhibition of the award winners in the HFBK Gallery. This year's Finkenwerder Art Prize will be awarded to the US artist Renée Green. HFBK graduate Frieda Toranzo Jaeger receives the Finkenwerder Art Prize for recent graduates.

Amanda F. Koch-Nielsen, Motherslugger; photo: Lukas Engelhardt

Nachhaltigkeit im Kontext von Kunst und Kunsthochschule

Im Bewusstsein einer ausstehenden fundamentalen gesellschaftlichen Transformation und der nicht unwesentlichen Schrittmacherfunktion, die einem Ort der künstlerischen Forschung und Produktion hierbei womöglich zukommt, hat sich die HFBK Hamburg auf den Weg gemacht, das Thema strategisch wie konkret pragmatisch für die Hochschule zu entwickeln. Denn wer, wenn nicht die Künstler*innen sind in ihrer täglichen Arbeit damit befasst, das Gegebene zu hinterfragen, genau hinzuschauen, neue Möglichkeiten, wie die Welt sein könnte, zu erkennen und durchzuspielen, einem anderen Wissen Gestalt zu geben

New studio in the row of houses at Lerchenfeld, in the background the building of Fritz Schumacher; photo: Tim Albrecht

Raum für die Kunst

After more than 40 years of intensive effort, a long-cherished dream is becoming reality for the HFBK Hamburg. With the newly opened studio building, the main areas of study Painting/Drawing, Sculpture and Time-Related Media will finally have the urgently needed studio space for Master's students. It simply needs space for their own ideas, for thinking, for art production, exhibitions and as a depot.

Martha Szymkowiak / Emilia Bongilaj, Installation “Mmh”; photo: Tim Albrecht

Annual Exhibition 2022 at the HFBK

After last year's digital edition, the 2022 annual exhibition at the HFBK Hamburg will once again take place with an audience. From 11-13 February, students from all departments will present their artistic work in the building at Lerchenfeld, Wartenau 15 and the newly opened Atelierhaus.

Annette Wehrmann, photography from the series Blumensprengungen, 1991-95; photo: Ort des Gegen e.V., VG-Bild Kunst Bonn

Conference: Counter-Monuments and Para-Monuments.

The international conference at HFBK Hamburg on December 2-4, 2021 – jointly conceived by Nora Sternfeld and Michaela Melián –, is dedicated to the history of artistic counter-monuments and forms of protest, discusses aesthetics of memory and historical manifestations in public space, and asks about para-monuments for the present.

23 Fragen des Institutional Questionaire, grafisch umgesetzt von Ran Altamirano auf den Türgläsern der HFBK Hamburg zur Jahresausstellung 2021; photo: Charlotte Spiegelfeld

Diversity

Who speaks? Who paints which motif? Who is shown, who is not? Questions of identity politics play an important role in art and thus also at the HFBK Hamburg. In the current issue, the university's own Lerchenfeld magazine highlights university structures as well as student initiatives that deal with diversity and identity.

Grafik: Tim Ballaschke

Start of semester

After three semesters of hybrid teaching under pandemic conditions, we are finally about to start another semester of presence. We welcome all new students and teachers at the HFBK Hamburg and cordially invite you to the opening of the academic year 2020/21, which this year will be accompanied by a guest lecture by ruangrupa.

photo: Klaus Frahm

Summer Break

The HFBK Hamburg is in the lecture-free period, many students and teachers are on summer vacation, art institutions have summer break. This is a good opportunity to read and see a variety of things:

ASA Open Studio 2019, Karolinenstraße 2a, Haus 5; photo: Matthew Muir

Live und in Farbe: die ASA Open Studios im Juni 2021

Since 2010, the HFBK has organised the international exchange programme Art School Alliance. It enables HFBK students to spend a semester abroad at renowned partner universities and, vice versa, invites international art students to the HFBK. At the end of their stay in Hamburg, the students exhibit their work in the Open Studios in Karolinenstraße, which are now open again to the art-interested public.

Studiengruppe Prof. Dr. Anja Steidinger, Was animiert uns?, 2021, Mediathek der HFBK Hamburg, Filmstill

Unlearning: Wartenau Assemblies

The art education professors Nora Sternfeld and Anja Steidinger initiated the format "Wartenau Assemblies". It oscillates between art, education, research and activism. Complementing this open space for action, there is now a dedicated website that accompanies the discourses, conversations and events.

Ausstellungsansicht "Schule der Folgenlosigkeit. Übungen für ein anderes Leben" im Museum für Kunst und Gewerbe Hamburg; photo: Maximilian Schwarzmann

School of No Consequences

Everyone is talking about consequences: The consequences of climate change, the Corona pandemic or digitalization. Friedrich von Borries (professor of design theory), on the other hand, is dedicated to consequence-free design. In “School of No Consequences. Exercises for a New Life” at the Museum für Kunst und Gewerbe Hamburg, he links collection objects with a "self-learning room" set up especially for the exhibition in such a way that a new perspective on "sustainability" emerges and supposedly universally valid ideas of a "proper life" are questioned.

Annual Exhibition 2021 at the HFBK

Annual exhibition a bit different: From February 12- 14, 2021 students at the Hamburg University of Fine Arts, together with their professors, had developed a variety of presentations on different communication channels. The formats ranged from streamed live performances to video programs, radio broadcasts, a telephone hotline, online conferences, and a web store for editions. In addition, isolated interventions could be discovered in the outdoor space of the HFBK and in the city.

Public Information Day 2021

How do I become an art student? How does the application process work? Can I also study to become a teacher at the HFBK? These and other questions about studying art were answered by professors, students and staff at the HFBK during the Public Information Day on February 13, 2021. In addition, there will be an appointment specifically for English-speaking prospective students on February 23 at 2 pm.

Katja Pilipenko

Semestereröffnung und Hiscox-Preisverleihung 2020

On the evening of November 4, the HFBK celebrated the opening of the academic year 2020/21 as well as the awarding of the Hiscox Art Prize in a livestream - offline with enough distance and yet together online.

Exhibition Transparencies with works by Elena Crijnen, Annika Faescke, Svenja Frank, Francis Kussatz, Anne Meerpohl, Elisa Nessler, Julia Nordholz, Florentine Pahl, Cristina Rüesch, Janka Schubert, Wiebke Schwarzhans, Rosa Thiemer, Lea van Hall. Organized by Prof. Verena Issel and Fabian Hesse; photo: Screenshot

Teaching Art Online at the HFBK

How the university brings together its artistic interdisciplinary study structure with digital formats and their possibilities.

Alltagsrealität oder Klischee?; photo: Tim Albrecht

HFBK Graduate Survey

Studying art - and what comes next? The clichéd images stand their ground: Those who have studied art either become taxi drivers, work in a bar or marry rich. But only very few people could really live from art – especially in times of global crises. The HFBK Hamburg wanted to know more about this and commissioned the Faculty of Economics and Social Sciences at the University of Hamburg to conduct a broad-based survey of its graduates from the last 15 years.

Ausstellung Social Design, Museum für Kunst und Gewerbe Hamburg, Teilansicht; photo: MKG Hamburg

How political is Social Design?

Social Design, as its own claim is often formulated, wants to address social grievances and ideally change them. Therefore, it sees itself as critical of society – and at the same time optimizes the existing. So what is the political dimension of Social Design – is it a motor for change or does it contribute to stabilizing and normalizing existing injustices?