9. – 29.11.2019
Exhibition: Untold (Hi)stories

Venue:
M.Bassy

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Exhibition and symposium on decolonization of art and society

How can art overcome the colonialist logic that has shaped how Western societies are organized?

Psychoanalysis is teaching us that for a traumatized individual the act of sharing its experience through speaking is as vital as the need for light, water, bread, and silence. It is necessary for this individual to narrate, remember, understand and explain the world that has turned her/him into a victim. Therefore, narrating colonial (hi)stories, and not forgetting and repressing them, is perhaps the most efficient way to overcome colonial trauma. But how could one narrate a traumatic experience when the available vocabulary is the very same that has violated one once before?

The colonial-capitalist-patriarchal epistemological hegemony has silenced the narratives of the “subaltern peoples” and has made it impossible to establish a diverse political and cultural reality, both in the South and in the North of the globe. Art, as a form of language and knowledge, can give these forgotten and silenced narratives an expression, but also allows new ethics and a new way of understanding human relations to emerge. In this context, it is necessary to think about the role that art has been playing in the process of establishing Eurocentric epistemological dominance and creating thereby marginalized identities throughout history, as well as it is important to pay attention on the effort that contemporary artists have done and are doing to change this reality.

Untold (Hi)stories is a group exhibition and a symposium initiated by Filipe Lippe and curated together with M.Bassy that debates on the decolonization of epistemologies, historical narratives, art and society. It will look at how decolonial artistic practices have transgressed fixed disciplines in art, expanded established aesthetic notions and challenged dominant narratives while (re)writing personal and collective (hi)stories. The selected works of the exhibition, as well as the symposium, will problematize issues related to colonial memories, marginalization of identities, epistemic disobedience, territory, historical narration, migration and (de)coloniality. While the exhibition will open on the 9th November at M.Bassy and will bring together works from six international artists such as Fernando Codeço, Sam Durant, Ana Hupe, Harald Kisiedu, Magda Korsinsky and Filipe Lippe, the symposium will take place on the 14th November at Hochschule für bildende Künste Hamburg with contributions of the curators, artists, activists and academics like Nomaduma Rosa Masilela, Julia Naidin, Cristiana Tejo, Harald Kisiedu, Michaela Ott, Monilola Ilupeju and Musa Okwonga.

The exhibition is curated by Filipe Lippe & M.Bassy with support of the Augstein Stiftung and in cooperation with the Hochschule für bildende Künste Hamburg (HFBK).

Artist list:

Fernando Codeço
Sam Durant
Ana Hupe
Harald Kisiedu
Magda Korsinsky
Filipe Lippe

Curation:

Filipe Lippe
M.Bassy

Cemile Sahin, ROAD RUNNER, 2025, installation view at Esther Schipper, Berlin; photo: © Andrea Rossetti, Courtesy of Cemile Sahin and Esther Schipper, Berlin/Paris/Seoul

Writing in Future

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View into the auditorium of HFBK Hamburg; photo: Lukes Engelhardt

Welcome to HFBK Hamburg: New semester, new faces

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Opening of the Graduate Show 2025; photo: Sinje Hasheider

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Pablo Torres Gómez, Earths's Ears, 2025; photo: Pablo Torres Gómez

Doing a PhD at the HFBK Hamburg

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Maria Ignatenko, false movements, 2024, work in progress; Filmstill

Being(s)

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Estefania Morales, I Drive, God Guides ( yo manejo, Dios me guía), Detail; photo: Tim Albrecht

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The cinema in the new film house, Finkenau 42; photo: Tim Albrecht

CineAmies

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Open Call: Redesign Democracy - Reimagine Voting; graphic design: Konrad Renner

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Park Ficiton, Palmen Feliz Nedra, 2003; photo: Margit Czenki/Park Fiction

Art in public space

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Blick in die von Nadine Droste kuratierte Ausstellung von Master-Studierenden im ICAT der HFBK Hamburg zur Jahresausstellung 2024 (im Vordergrund die Arbeit von Paula Hoffmann und Laura Mahnke); photo: Lukes Engelhardt

How to apply: study at HFBK Hamburg

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Many people stand in front of a wall with portrait photographs

Work by Atu Gelovani at the opening of the Annual Exhibition 2025 at HFBK Hamburg; photo: Lukes Engelhardt

Annual Exhibition 2025 at the HFBK Hamburg

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A sculpture of a small elephant that functions as a climbing frame in a park in Hamburg

Der Elefant im (öffentlichen) Raum Hamburg

The Elephant in The Room – Sculpture today

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Exhibition view on the occasion of Hiscox Art Prize 2024; photo: Tim Albrecht

Hiscox Art Prize 2024

The HFBK Hamburg cordially invites to the award ceremony of the Hiscox Art Prize 2024 and to the opening of the exhibition with the nominated artists.

The cinema in the new film house, Finkenau 42; photo: Tim Albrecht

Opening of the 2024/25 semester centred on the new film house

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"The New Woman - How Female Artists and Designers shaped the Image of Modernism", graphic by Liudmila Savelyeva, Karla Krey, Amira Mostafa (Klasse Digitale Grafik)

The New Woman

The exhibition "The New Woman - How Female Artists and Designers Shaped the Image of Modernism" presents more than 50 works by 14 selected female artists and designers who studied at the Staatliche Kunstgewerbeschule zu Hamburg, the predecessor institution of the HFBK, from 1907 onwards. At a time when women were still denied access to many other art academies.

Detail: Installation by Mark Morris; photo: Tim Albrecht

Graduate Show 2024 - Letting Go

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Julia Scher, Territorium, 2024, installationview at ICAT of HFBK Hamburg; photo: Tim Albrecht

Finkenwerder Art Prize 2024

The US artist Julia Scher will receive the Finkenwerder Art Prize 2024, while Anna Stüdeli, who studied sculpture at the HFBK Hamburg, will be honoured with the Finkenwerder Grant from the HFBK.

Archives of the Body - The Body in Archiving

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Sharon Poliakine, Untitled, 2023, oil on canvas, detail

New partnership with the School of Arts at the University of Haifa

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Work by Franziska Koepsel at Annual Exhibition 2024; photo: Lukes Engelhardt

Annual Exhibition 2024 at the HFBK Hamburg

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photo: Tim Albrecht

(Ex)Changes of / in Art

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Extended Libraries

Knowledge is now accessible from anywhere, at any time. In such a scenario, what role(s) can libraries still play? How can they support not only as knowledge archives but also as facilitators of artistic knowledge production? As an example, we present library projects by students and alumni, as well as our new knowledge space: the Extended Library.

And Still I Rise

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photo: Miriam Schmidt / HFBK

Graduate Show 2023: Unfinished Business

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A disguised man with sunglasses holds a star-shaped sign for the camera. It says "Suckle". The picture is taken in black and white.

photo: Honey-Suckle Company

Let`s work together

Collectives are booming in the art world. And they have been for several decades. For the start of the summer semester 2023, the new issue of the Lerchenfeld Magazine is dedicated to the topic of collective practice in art, presents selected collectives, and also explores the dangers and problems of collective working.

Jahresausstellung 2023, Arbeit von Toni Mosebach / Nora Strömer; photo: Lukes Engelhardt

Annual Exhibition 2023 at HFBK Hamburg

From February 10-12, students from all departments will present their artistic works at Lerchenfeld 2, Wartenau 15 and AtelierHaus, Lerchenfeld 2a. At ICAT, Tobias Peper, Artistic Director of the Kunstverein Harburger Bahnhof, curates an exhibition with HFBK master students. Also 10 exchange students from Goldsmiths, University of London will show their work there.

Symposium: Controversy over documenta fifteen

With this symposium on documenta fifteen on the 1st and 2nd of February, the HFBK Hamburg aims to analyze the background and context, foster dialogue between different viewpoints, and enable a debate that explicitly addresses anti-Semitism in the field of art. The symposium offers space for divergent positions and aims to open up perspectives for the present and future of exhibition making.

Non-Knowledge, Laughter and the Moving Image, Grafik: Leon Lothschütz

Festival and Symposium: Non-Knowledge, Laughter and the Moving Image

As the final part of the artistic research project, the festival and symposium invite you to screenings, performances, talks, and discussions that explore the potential of the moving images and the (human and non-human) body to overturn our habitual course and change the dominant order of things.

Solo exhibition by Konstantin Grcic

From September 29 to October 23, 2022, Konstantin Grcic (Professor of Industrial Design) will be showing a room-sized installation at ICAT - Institute for Contemporary Art & Transfer at the HFBK Hamburg consisting of objects designed by him and existing, newly assembled objects. At the same time, the space he designed for workshops, seminars and office workstations in the AtelierHaus will be put into operation.

Amna Elhassan, Tea Lady, oil on canvas, 100 x 100 cm

Art and war

"Every artist is a human being". This statement by Martin Kippenberger, which is as true as it is existentialist (in an ironic rephrasing of the well-known Beuys quote), gets to the heart of the matter in many ways. On the one hand, it reminds us not to look away, to be (artistically) active and to raise our voices. At the same time, it is an exhortation to help those who are in need. And that is a lot of people at the moment, among them many artists. That is why it is important for art institutions to discuss not only art, but also politics.

Merlin Reichert, Die Alltäglichkeit des Untergangs, Installation in der Galerie der HFBK; photo: Tim Albrecht

Graduate Show 2022: We’ve Only Just Begun

From July 8 to 10, 2022, more than 160 Bachelor’s and Master’s graduates of the class of 2021/22 will present their final projects from all majors. Under the title Final Cut, all graduation films will be shown on a big screen in the auditorium of the HFBK Hamburg. At the same time, the exhibition of the Sudanese guest lecturer Amna Elhassan can be seen in the HFBK gallery in the Atelierhaus.

Grafik: Nele Willert, Dennise Salinas

June is full of art and theory

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Renée Green. ED/HF, 2017. Film still. Courtesy of the artist, Free Agent Media, Bortolami Gallery, New York, and Galerie Nagel Draxler, Berlin/Cologne/Munich.

Finkenwerder Art Prize 2022

The Finkenwerder Art Prize, initiated in 1999 by the Kulturkreis Finkenwerder e.V., has undergone a realignment: As a new partner, the HFBK Hamburg is expanding the prize to include the aspect of promoting young artists and, starting in 2022, will host the exhibition of the award winners in the HFBK Gallery. This year's Finkenwerder Art Prize will be awarded to the US artist Renée Green. HFBK graduate Frieda Toranzo Jaeger receives the Finkenwerder Art Prize for recent graduates.

Amanda F. Koch-Nielsen, Motherslugger; photo: Lukas Engelhardt

Nachhaltigkeit im Kontext von Kunst und Kunsthochschule

Im Bewusstsein einer ausstehenden fundamentalen gesellschaftlichen Transformation und der nicht unwesentlichen Schrittmacherfunktion, die einem Ort der künstlerischen Forschung und Produktion hierbei womöglich zukommt, hat sich die HFBK Hamburg auf den Weg gemacht, das Thema strategisch wie konkret pragmatisch für die Hochschule zu entwickeln. Denn wer, wenn nicht die Künstler*innen sind in ihrer täglichen Arbeit damit befasst, das Gegebene zu hinterfragen, genau hinzuschauen, neue Möglichkeiten, wie die Welt sein könnte, zu erkennen und durchzuspielen, einem anderen Wissen Gestalt zu geben

New studio in the row of houses at Lerchenfeld, in the background the building of Fritz Schumacher; photo: Tim Albrecht

Raum für die Kunst

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Martha Szymkowiak / Emilia Bongilaj, Installation “Mmh”; photo: Tim Albrecht

Annual Exhibition 2022 at the HFBK

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Annette Wehrmann, photography from the series Blumensprengungen, 1991-95; photo: Ort des Gegen e.V., VG-Bild Kunst Bonn

Conference: Counter-Monuments and Para-Monuments.

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23 Fragen des Institutional Questionaire, grafisch umgesetzt von Ran Altamirano auf den Türgläsern der HFBK Hamburg zur Jahresausstellung 2021; photo: Charlotte Spiegelfeld

Diversity

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ASA Open Studio 2019, Karolinenstraße 2a, Haus 5; photo: Matthew Muir

Live und in Farbe: die ASA Open Studios im Juni 2021

Since 2010, the HFBK has organised the international exchange programme Art School Alliance. It enables HFBK students to spend a semester abroad at renowned partner universities and, vice versa, invites international art students to the HFBK. At the end of their stay in Hamburg, the students exhibit their work in the Open Studios in Karolinenstraße, which are now open again to the art-interested public.

Studiengruppe Prof. Dr. Anja Steidinger, Was animiert uns?, 2021, Mediathek der HFBK Hamburg, Filmstill

Unlearning: Wartenau Assemblies

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Ausstellungsansicht "Schule der Folgenlosigkeit. Übungen für ein anderes Leben" im Museum für Kunst und Gewerbe Hamburg; photo: Maximilian Schwarzmann

School of No Consequences

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Annual Exhibition 2021 at the HFBK

Annual exhibition a bit different: From February 12- 14, 2021 students at the Hamburg University of Fine Arts, together with their professors, had developed a variety of presentations on different communication channels. The formats ranged from streamed live performances to video programs, radio broadcasts, a telephone hotline, online conferences, and a web store for editions. In addition, isolated interventions could be discovered in the outdoor space of the HFBK and in the city.

Katja Pilipenko

Semestereröffnung und Hiscox-Preisverleihung 2020

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Exhibition Transparencies with works by Elena Crijnen, Annika Faescke, Svenja Frank, Francis Kussatz, Anne Meerpohl, Elisa Nessler, Julia Nordholz, Florentine Pahl, Cristina Rüesch, Janka Schubert, Wiebke Schwarzhans, Rosa Thiemer, Lea van Hall. Organized by Prof. Verena Issel and Fabian Hesse; photo: Screenshot

Teaching Art Online at the HFBK

How the university brings together its artistic interdisciplinary study structure with digital formats and their possibilities.

Alltagsrealität oder Klischee?; photo: Tim Albrecht

HFBK Graduate Survey

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Ausstellung Social Design, Museum für Kunst und Gewerbe Hamburg, Teilansicht; photo: MKG Hamburg

How political is Social Design?

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