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3notizen@rhizome.hfbk.net's Public Feed: 3 Notizen zu: Jenny Schäfer: „...

3 Notizen zu: Jenny Schäfer: „Wertvolle Geräte“, Wassermühle Trittau 1 Rentierknochen neben Fidget-Spinnern, Dronen neben Faustkeilen. In ihren fotografischen Collagen stellt Jenny Schäfer in der Wassermühle Trittau derzeit Fundstücke des Archäologen Alfred Rust aus den 1930er Jahren mehr oder weniger alltäglichen Objekten des 21. Jahrhunderts gegenüber. 2 Worin besteht nun der wesentliche Unterschied zwischen Kunst-, Kult- und Gebrauchsgegenständen - das scheint natürlich zunächst eine der Fragen, die sich auf den ästhetisch ansprechend inszenierten Bildkombinationen manifestieren. Wird in tausenden Jahren noch zwischen Kunst und Gebrauch unterschieden – und wie wird Objekten überhaupt "Wert" zugeschrieben? 3 Noch spannender ist aber ein anderer Punkt. Denn während das Werkzeug der ästhetischen Inszenierung zur Sphäre der Kunstgalerie gehört, präsentiert sich die Archäologie in historischen Museen meist als rein dokumentierende Wissenschaft. Mit ihrer kreativen Neuordnung von Alfred Rusts Funden zeigt Schäfer aber auch die (oft auch ideologiegetriebene) Interpretation, Auslegung, Inszenierung von Fundgegenständen – und damit die Erschaffung von Geschichte überhaupt – als rein willkürlichen Akt. 3 Notizen zu: Jenny Schäfer: Wertvolle Geräte, Wassermühle Trittau, bis 11.3.2018

https://rhizome.hfbk.net/p/65457


Ausstellungsansicht "Schule der Folgenlosigkeit. Übungen für ein anderes Leben" im Museum für Kunst und Gewerbe Hamburg; photo: Maximilian Schwarzmann

School of No Consequences

Everyone is talking about consequences: The consequences of climate change, the Corona pandemic or digitalization. Friedrich von Borries (professor of design theory), on the other hand, is dedicated to consequence-free design. In “School of No Consequences. Exercises for a New Life” at the Museum für Kunst und Gewerbe Hamburg, he links collection objects with a "self-learning room" set up especially for the exhibition in such a way that a new perspective on "sustainability" emerges and supposedly universally valid ideas of a "proper life" are questioned.

Annual Exhibition 2021 at the HFBK

Annual exhibition a bit different: From February 12- 14, 2021 students at the Hamburg University of Fine Arts, together with their professors, had developed a variety of presentations on different communication channels. The formats ranged from streamed live performances to video programs, radio broadcasts, a telephone hotline, online conferences, and a web store for editions. In addition, isolated interventions could be discovered in the outdoor space of the HFBK and in the city.

Public Information Day 2021

How do I become an art student? How does the application process work? Can I also study to become a teacher at the HFBK? These and other questions about studying art were answered by professors, students and staff at the HFBK during the Public Information Day on February 13, 2021. In addition, there will be an appointment specifically for English-speaking prospective students on February 23 at 2 pm.

Katja Pilipenko

Semestereröffnung und Hiscox-Preisverleihung 2020

On the evening of November 4, the HFBK celebrated the opening of the academic year 2020/21 as well as the awarding of the Hiscox Art Prize in a livestream - offline with enough distance and yet together online.

photo: Tim Albrecht

Art defies Corona: Graduate Show 2020

With a two-month delay, the Graduate Show took place this year on the 19 and 20 September. More than 140 students showed their artistic graduation projects, from painting to sound installation.

Exhibition Transparencies with works by Elena Crijnen, Annika Faescke, Svenja Frank, Francis Kussatz, Anne Meerpohl, Elisa Nessler, Julia Nordholz, Florentine Pahl, Cristina Rüesch, Janka Schubert, Wiebke Schwarzhans, Rosa Thiemer, Lea van Hall. Organized by Prof. Verena Issel and Fabian Hesse; photo: Screenshot

Teaching Art Online at the HFBK

How the university brings together its artistic interdisciplinary study structure with digital formats and their possibilities.

Alltagsrealität oder Klischee?; photo: Tim Albrecht

HFBK Graduate Survey

Studying art - and what comes next? The clichéd images stand their ground: Those who have studied art either become taxi drivers, work in a bar or marry rich. But only very few people could really live from art – especially in times of global crises. The HFBK Hamburg wanted to know more about this and commissioned the Faculty of Economics and Social Sciences at the University of Hamburg to conduct a broad-based survey of its graduates from the last 15 years.

Ausstellung Social Design, Museum für Kunst und Gewerbe Hamburg, Teilansicht; photo: MKG Hamburg

How political is Social Design?

Social Design, as its own claim is often formulated, wants to address social grievances and ideally change them. Therefore, it sees itself as critical of society – and at the same time optimizes the existing. So what is the political dimension of Social Design – is it a motor for change or does it contribute to stabilizing and normalizing existing injustices?